CNNMoney.com
Companies Economy International Corrections Pre-market Trading After-hours Trading Winners/Losers/Actives Bonds Currencies Commodities World Markets Money Magazine Real Estate Taxes Jobs Ask the Expert Money 101 Autos Mutual Funds The Help Desk Loan Center Best Places to Live Ask the Expert Ultimate Guide to Retirement Retirement Calculators Rules of Retirement Best Funds Best Places to Retire Fortune Brainstorm Tech Apple 2.0 Blog Big Tech Blog Sectors and Stocks Tech Talk Resource Guide Small Business Makeovers Questions & Answers Small Business Video 100 Best Places to Launch FSB 100 Fortune Small Business Fortune 500 Brainstorm Tech Investing Management C-Suite Rankings Main Create Portfolio Edit Portfolio Create Alerts Edit Alerts
PUPPET MISTRESS
JanNelle Rivers, Cirque du Soleil, Las Vegas
By Ellen Florian Kratz

(FORTUNE Magazine) – IT'S MY JOB TO TAKE CARE OF THE PUPPETS FOR the Cirque du Soleil show KÀ. A lot of small repairs need to be made--things unravel and have to be sewn back together. I also make sure the mechanical parts work. And I take great pride in being able to preserve the integrity of what Michael Curry designs. I take care of two crabs, two sand bugs, a turtle, a snake, a scorpion, a stick bug, and a starfish. When I come to work, I go to Puppetland, where the puppets are stored overnight. Each has its own rack. I clean them from the night before; the beach puppets tend to get cork dust all over them. Then I move them to their starting positions. The riggers take care of some things for me. They load the 80-foot-long snake into the tree. The turtle weighs about 40 pounds. You put it on the way you put on a backpack. It has a separate set of pants, and the artist has to put them on first. I've been inside the turtle. It feels weird because you have that weight above your head. I do two shows a night and then put the puppets to bed. I feel very attached to them. I can't believe it's my job to maintain these beautiful works of art. -- Interview by Ellen Florian Kratz