"A lot of our stuff is not pretty, safe, attractive or cute, but yet we work with kids," Pinque says of Big Nazo's artistic approach. "We've learned to over-compensate our personalities to make sure they're likeable -- to work against the visual. It's very significant to have an experience with a child or adult who at first is afraid of you, suspicious, and thinks you're 'ugly' -- then, minutes later, find you kind and funny. That message can spread."
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